From the necessity of making animal hides to keep us warm, we later discovered how to spin cloth nicer looking better fitting clothes which also gave way to an easy method of determining another's rank, status, or wealth. As you learn about cloth and how it's color and styles have elvolved we also included a variety of simplle patterns to make any identity or persona more accurate.
Materials Patterns Realm Garb Styles | MATERIALS 4-9th century: Wool, animal skins, tanned leathers 10th century: Royalty & Nobility----linen and wool Peasants----russet. Black, brown, gray, green, red 11th century: Royalty & Nobility----linen, scarlet, silks, wool, and embroidering on any cloth Populace----coarse wool Peasant-----russet Black, brown, gray, pale blue, red, reddish brown, yellow 12th century: Royalty & Nobility----silks Peasants----russet Black, brown, gray, green, gold, purple, red, scarlet 13th Century: Royalty----gold, silk, silver, velvet Nobility----Fustian (thinner velvet) Lords & Master’s----canvas, linen Peasants----russet Black, brown, gold, gray, orange, purple, silver, tan 14th century: Royalty----brocade, satin, scarlet, silk, taffeta Nobility----same Populace----Flannel, linen, wool Peasant----canvas, russet, serge 15th century: Royalty----Damask, satin, scarlet, silk, velvet Nobility----same as above Populace----Flannel, serge, wool Peasant----Canvas, russet Black, blue, brown, gold, green, gray, purple, orange, red, tan, yellow, white DYES from natural substances such as plants, roots, animals, vegetables DYE HOUSE building where cloth was colored using various dyes. ALUM mineral salt used as a mordant or chemical key to dye cloth BAIRIUM metal extracted from ores used in dyestuffs, glass, poisons CHAMOMILE GOLDEN herb, flower used to make yellow dye COCHINEAL insect in southern America, female dried body makes red dye CROCUS plant STAMENS saffron yellow, or vegetable gold DRAGON’S BLOOD tincture in alchemy from vegetable pigment for red DYEWEED small plant yielding a yellow dye FOLIUM red vegetable coloring agent INDIGO plant used to make natural dye of a blue color KAMALA powder from Indian tree makes orange-red dye for silk and wool. KERMES dried body of the female Coccus Illicis makes red dye LICHEN PLANTS violets LOGWOOD natural black dye used with wool and silk MADDER red coloring from wood, also an herb MOSS/Mint Plants green SAFFRON YELLOW orange yellow TURNSOLE purple dye WELD PLANT yellow WOAD foul smelling plant of mustard family producing blue dye PARTICOLORING coloring/decorating one half or quarters of a garment in one color and others in different ones. DYER ANNATTO MAKER worked to manufacture dyes for paint or printing ARCHIL MAKER marker of violet dyes from likens BRASILER one who dyes cloth CALICO PRINTER dyed and colored calico COLOURATOR /Coloratora worked with dyes COLOUR MAN mixed dyes in textile trade DEXTER dyer LISTER/Litster one who dyes cloth or fabric TINCTOR dyer TINTER/Teinter performs tinting GLOSSARY BARBED/Row/Shorn three finishing processes in the making of cloth CAMISTER minister of the cloth CLOTHIER/Clothman/Weaver maker or seller of cloth CLOTH LAPPER takes cloth from carding machine and readies it for next process CLOTH LINTER removes unwanted threads from finished cloth LINED second piece of cloth attached to another CAMISTER minister of the cloth LOOMWEIGHT weight used to hold down the vertical threads in a simple loom. They may have been made from circular or clay pieces of clay or a stone with a hole drilled through it. SPINDLE WHORL smaller circular stone or piece of pottery with a central hole for a spindle. It was around the spindle shaft that wool could be wrapped around after the process of carding, STEPS to MAKE CLOTH shear, sort, scour, blend, pick, card, comb, spin, twist threads together, wind on bobbin, weave on loom. SISSOR/CISSOR/Sortor tailor WEBSTER woman weaver BAIZE/Bayes 15th c. soft woolen/cotton fabric resembling felt BOMBAZEEN twill Fustian cotton/wool dyed for mourning BROCADE silk fabric with raised patterns usually in gold and silver BUCKRAM stiffening used for collars, belts etc. BUREL/Borel coarse woolen cloth BYSSINE fine silk fabric CAMBRIC 15th c. fine linen or cotton. CAMBRIC MAKER made a fine linen or cotton fabric called cambric. CAMLET camel hair or goats wool fabric CANVAS 12th c. heavy cloth of cotton, linen or hemp. CENDAL silk fabric resembling taffeta for Nobles CORDUROU cotton or silk velvet with raided ridges or Wales DAMASK silk material often woven with gold/silver thread DUNSTER 14th c. broad cloth made in Somerset. ERMINE white fur FEAR-NAUGHT 17th c. waterproof for clothes and sails. FEAR-NAUGHT MAKER wove thick wool cloth for outer cloaks/coats. FLANNEL 13th c. wool fabric with a nap. FLAX used to weave linen FRIZE gold cloth FREIZE from Wales FRUSTIAN cotton fabric from Norwich such as corduroy. FUSTIAN CUTTER worker who cut loops in fabric to produce nap. KERSEY heavy wool similar to beaver with a cotton warp for work clothes. LINSEY WOOLSEY coarse fabric woven from linen/cotton with wool filling MELTON heavy wool for over coats MINIVER white fur or spotted white and gray used for linings and trimmings MUSLIN cotton women in different fineness OILSKIN waterproof cloth used for coverings and garments POLEDAVE very coarse fabric POLDAVE WORKER makes poldave, a course fabric RAYE fabric with horizontal stripes RENNES variety of Chainsil cloth RUSSET coarse fabric dyed with tree bark peasants wore SACKCLOTH 13th c. coarse cloth worn for mourning SAMITE heavy silk fabric sometimes interwoven with gold SARANET thin silk woven by Saracens SAY 12th c wool worsted for red Gaul cloaks, similar to serge SAY WEAVER made Say, material used for table cloths or bedding SERGE 13th c. twill or worsted wool from Colchester SCARLET wool dyed red SHAGREEN 16th c. untanned leather skin of horse, eel, shark etc. SHAGREEN CASE MAKER one who worked with shagreen leather SHALLOON light, twilled woolen fabric used for linings SILK lustrous fiber from a silk-worm BAUDEKYN rich silk and gold tissue. DANTER female overseer in the winding rooms of a silk mill SAMITE later known as Silk woven by the Chinese and Saracen’s SANCINET WEAVER silk weaver SARANET thin silk woven by Saracens SILK DRESSER prepared the silk for weaving. SILK ENGINE TURNER turned wheel on automatic silk weaving looms SILKER sewed ends of the fabric to prevent the layers from separating SILK MERCER sold silk cloth and items made from silk SILK THROWER worker in silk SILK TWISTER silk spinner SILK TURNER turned the wheel on weaving looms WINDSTER silk winder TAFFET 13TH c. thin silk TOILINET type of quilting VELVET 12th c. thick soft piled silk with a cotton backing WOOL yarn made from sheep hair, spun into cloth, heavy, warm CARDING MILL place where wool is passed through hand held cards of producing nails STAPLE official site for selling wool to control trade and collection of customs WOOLCOMBER separated wool fibers ready for spinning WOOL DRIVER brought the wool to market WOOLEN BILLY PIECER pieced broken threads together WOOLMAN/Wool Sorter/Stapler sorted wool into different grades WOOL SORTER one who sorted wool into different grades WOOLSTED MAN merchant/seller of woolen cloth WOOL WINDER one who wound wool into balls to sell PATTERNS Where to find them
1. Fabric or stores that carry fabric 2. Internet Sites below 3. Realm Seamstress 4. Magazines dedicated to the Middle Ages denver fabric.com For fabric, trim, patterns and anything need to accomplish your costume. folkwear.com The original maker of patters for Medieval groups since the 1970’s. mccalls.com For Reanissance Maiden Pattern #’s sewing central.com simplicity.com For Renaissance Maiden Pattern #’s tudorshoppe.com McCalls Renaissance Maidens Pattern #’s 3663 4091Chemise 4107Bodice 4806Hats 3789 Childs 4805 Mens hats Simplicity Renaissance Maidens 4923 5925 5794 5571childs 7756 8192 8715 8881 9531 9866 9836 Many patterns today encompass the European, German, and Italian Renaissance period. Bridal dress patterns offer A-line dresses and sleeves acceptable to the Middle Ages. Many every day patterns with minor altering will make yesterdays styles. Take a picture of a past garment you would like to sew, go to a fabric shop and look through the pattern books. PRACTICAL HOMEMADE PATTERNS In nearly every realm or group patterns are passed around, and that’s a good thing for new members to get started on their costume. But when you want a better fitting costume there are only two options, buy a specific size pattern that you will still have to adjust anyways or make your own that will fit perfectly. Newspapers are to realm women what duct tape is to a warrior, each is glorious. Any pattern made from a newspaper will last years and will cost very little. To make a clothing pattern tape several together, lay down in the middle and have someone trace your Outline. Now you have a complete pattern of your form. This serves as a basic pattern you will lay other patterns on top of to adjust for making a good fitting costume. From there its easy to take any of the pattern from this section and make a dress, tunic or shirt you need. You can use the newspaper you get everyday and read, or if you don’t want the ink mess you can go to your local newspaper office and ask if they have any left over end rolls. Some will donate them to your realm, or will sell for a small fee. Blank paper can not only be used for patterns but for kid crafts, calligraphy etc. Some patterns need to be made exact or form fitting to make a vest, shoes, or armor. For these see below.
Make Your Own Form You can make your form inexpensively that will last many years as well. This is handy to make form fitting vests, shoes, armor, gambesons, plate of coats etc. Materials Needed Duct Tape Old T-shirt Trash bag--size depends on your body or foot size * When wrapping with duct tape make it firm but not tight around body or feet.
Put on T-Shirt. Cut one hole on each side of bag for arms, and one in top for your head to go through. Put trash bag over T-shirt. Have friend take duct tape and wrap body from neck and shoulders to the thigh. Wrap body in a couple of layers. When finished cut duct tape up both sides and lift over head. Retape sides.
Shoes First decide what type of shoe you want to make such as a basic ankle walk around shoe or a boot that goes up to the calf or thigh. Place large enough bag over foot to cover it and up to where you want shoe to stop. Duct tape entire foot stopping where shoe type would. Cut inner side from sole to where duct tape stops. Slip foot out and retape opening. * Always do both feet. Each is different and one will be slightly bigger.
TRIM This item added to clothing was an essential part. Tunics and shirts can have trim added to the bottom edge as well as cuffs, collar and shoudler, and V neck opening. Trim comes in wide or narrow, with narrow being less expensive. Look for dresses in the Goodwill or garage sales that have it to remove at home. If you don’t have a sewing machine any trim can be hot glued on for the cost of a glue gun and sticks for around $5.00. FURS beaver, martin, rabbit, squirrel BUDGE lambskin ERMINE white fur FURRIER sells/makes furs GRIS gray squirrel SABLE dark black fur or hair of the sable weasel VAIR gray squirrel pelt and white ermine LACE BONE LACE MAKER made pillow lace LACE-DRAWER child employed in lace work, drawing out threads. LACE-MASTER/Mistress hired workers to produce lace in their homes. TATTING/TATTER makes knotted lace of cotton or linen with a shuttle TWIST HAND made lace or operated machine REALM GARB
MENS QUIK GARB Collared dress shirt 2-3 sizes to big, turn collar under, folder over button section and hot glue closed. Turn cuffs under for blouse effect, hot glue dip in front and back of shirt under for a straight across look Pair of corduroy pants Motorcycle boots/ long leg moccasins, or leather buckled shoes. Wide belt of brown or black leather extra long length wide 1-2’ wide, 72’ long Leather cord or string to hand tankard from belt, along with draw string pouch Men: Wore mostly jerkins/vests, breeches, and a long sleeve muslin shirt. Hair was to the shoulder or longer, tied back in a strip of leather. Most were stubble faced, unshaven for weeks at the time Belts were worn wide and long 1 ½ -2” wide to 72” long with rounded end of the left to dangle in front. Belt pouches for necessities, some had loops to attach daggers or draw string pouches along tankard hooks were all attached to belts. Pouches were made of leather and cloth then, while we have added suede. Cords, thin ropes and leather strips were good for holding jerkins together, to and to keep breeches or leggings from falling. NO: Jeans, tennis shoes, polyester shirts or pants, oxford shoes, pants with pockets YES: buckle/leather shoes, motor cycle boots, moccassin legging boots Styles: Burnose/Cheesemaker shirts, draw string pants no patterns, doublet/vests, MENS CLOTHING GLOSSARY BALDRIC fabric/leather band worn diagonally across chest and back BARMCLOTH Leather apron BOMBAST 16th c. padding of cotton or rags used to stuff garment linings BREECHES BRAES breeches PETIT-Drap breeches PANTALOON combined stocking and breeches SLOP-HOSE sailor's breeches TRUNK HOSE 15TH c. style breeches to show off legs with padded ring from waist to which long netherstocks were sewn VENETIANS buttoned/tied in concealed front opening with breeches fastened at knee separate from nether stocks, codpiece not worn. BRAGUETTE cod piece BRAYE triangle fabric covering opening of mens breeches BRANC smock BROIGNE jerkin BUFLE boat of buff leather BURNOOSE upper garment/shirt with a hood attached worn by Arabs and Moors BUSKIN footed leggings with thick soles made of leather and embroidered CAPES/COATS BALANDRAS 12th century hooded rain cape BARRETE round wool/felt hat CHAMATRE 15th century long wide fur-lined braided coat CYCLAS short cape-like cloak worn by both men and women HOOD & Gorget covered shoulders and head MANTLE loose, sleeveless cloak or cape POUR POINT 13th c. ceremonial short coat CAPS/Hoods BARRETTE round wool/felt hat BIGGIN cap men wore to bed which tied under the chin with laces or ribbon BIRETTA soft skull cap CALE linen skull cap CHAPERONE 15th c. headdress for men LIRIPIPE hat worn to one side with very long tail worn around neck CARILLE flared collar worn up to the ears CORDUROU cotton or silk velvet with raided ridges or Wales COTEHARDIE 14th c. masculine short tunic with long or half sleeves CROSS-GARTERING linen strips wound round the braies to hold them in position DOUBLET vest or short tunic padded and fitted FOOTWEAR CALIGA Roman leather shoe CAMPAGUS Byzantine leather boot DUCKBILL 15th c. wide pointed toes GALOSHES wooden soled shoes with leather straps to protect shoes from dirt GALLIOCHIOS wooden soled shoes with leather straps HOUSEAUX/Krackows tall, leather boots, open or extended toe PANNOS de CANNABIUM canvas shoes PANTOFFLE 16th c. overshoe slipped on with no back, became slippers PATTERN wood strapped under footwear to protect it in wet conditions POULAINE/Krackows extended/exaggerated length at the toes termed PIGACHES 11th c. shoes with long pointed toes SOLERS leather/Fabric foot wear/slippers GARTERS band of wool/cotton for knee breeches GIBECIERE fabric/leather pouch attached to girdle, next to dagger HAINCELIN short houppelande with embroidered sleeves HOOD & GORGET covered shoulders and head TIPPET hoods long point or Coteharde’s long sleeve JACKET close fitting upper body garment NETHERSTOCKS hose POINTS metal laces for attaching hose to doublet WOMENS GARB Wore mostly one piece kirtles over chemise/sheaths of muslin belted in the middle usually with a chain to carry necessary items such as scissors, spoons, hair needs etc. Hair was parted in the middle then plaited in two braids covered over with a cloth (wimple), cap or snood Shoes were a simple cloth on top, leather soles. NO: Darts in clothing, Polyester clothing of any kind, bright or neon colors, heels, no printed patterns, YES: Long A-line or Empire dresses, Chinese cloth shoes or Mary Jane, leather flats, knee high socks WOMENS Quik Garb Long sleeve A-line or Empire dress of blue, brown, green or gray (no polyester) Chinese cloth strapped flat shoes, usually come in black, or Mary Jane leather flat shoes Ring of flowers for the head Ringed belt, small draw string evening purse Women's Clothing GLOSSARY AGRAFFE/Agrafe large brooch for fastening cloak or robe FERMAIL small brooch FIBULA ornamental brooch or clasp BODICE close fitting upper part of a woman's dress or laced vest BUM-BARREL/BUM-ROLLER/ WAIST BOLSTER padded roll tied around the waist and worn under the skirt, to hold it out. BURNOOSE combination hood and cloak worn by women CAFTAN long sleeved unbelted outer garment of knee length CAMISE/Chainse/Chemise long linen undergarment, worn under dress CAPS AMICE square of line, folded diagonally, worn about head and shoulders BIRETTA soft skull cap CALE linen skull cap CAUL silk skull cap worn alone or under a hat, often by maidens CHAPLET wreath of leave/flowers or circlet with gems holding veil onto head CRESPIN/Creppin linen cap ESTRAIN straw hat SNOOD netlike bag worn at the back of head to hold hair SPODIC fur trimmed hat TORQUE/ Coif small cap CORSET closely fitting under bodice COTEHARDIE 14th c. used for feminine long gowns COTTERON short peasant smock FALSE SLEEVES falling from lower part of garments sleeves FLUGEL long ground trailing sleeves FARTHINGALE 16th c. canvas/linen petticoat with whalebone hoops FOREPART decorated underskirt revealed through the inverted-V opening in the front of a skirt. GIT gown GORGIAS gauze covering a woman’s cleavage HAIR PIN long metal pin used to hold the hair in place HEADDRESS BARBETTE head band/veil worn under chin, over ears and head BEGUIN/FLEMISH HOOD linen rectangle folded in headdress caught at neck CHAPLET circlet, twisted, padded and decorate, veil/ribbons hang from it CIRCLET headdress of metal, cover w cloth/ribbon/flowers etc CORNALIA pointed stiff veil or headdress CORONETTE 2 points headdress COVERCHIEF headdress piled or wound, sometimes fastened beneath chin FILLET stiff linen headdress FRENCH HOOD 15th c. bonnet on stiff frame and worn far back on the head FRET headdress made of gold or silver trellis GARGET fabric wound around head part of a chaperone HEAD RAIL oblong linen/cotton headdress HUVE projecting headdress of many folds LIRIPIPE lengthened peak of the medieval hood ORALIA headdress with two blue stripes TIARA crown like headdress of jewels, flowers, etc TOURET tall headdress VOLET veil worn at back of head WIMPLE/Guimp headdress framing face HOUPELANDE 15th c. nobility at court, or 14th c. Germany HOUSSE long wide shawl, fastened at breast, fur trimmed at hem and neck JERINET padded jacket LETTICE species of fur of pale gray MANCHESS long flowing sleeves NIGHT RAIL garment wealthy women slept in though nude was more common PELICON f ur-lined over tunic PIPKIN 15th c. taffeta hat trimmed with ostrich feathers and decorated with jewels PLASTRON fur front of the sideless surcoat worn by medieval ladies ROC woman’s over garments SHERTE undergarment of white linen SNUFKIN/Snoskyn muff of cloth/fur, smaller ones hung from a woman's STOMACHER front panel of decorative fabric worn on top of bodice ending in point SUCKENIE 13th c. German unbelted long, sleeveless over dress SUPERTUNIC f ull circle, sleeved over garment, belted at waist TEMPLET metal ornament for rolling hair above ears TIPPET streamer length sleeves hanging from elbow of tunic/gown, or short shoulder cape for women CLOTHING GLOSSARY AUMONIERE drawstring bag/purse/pouch of fabric BATTLEDORE wood/stone cloth beater CABRILLE flared collar worn up to the ears CLOAKS/CAPES/COATS CABAN Arabic coat of wide sleeves CHAMATRE 15th century long wide fur-lined braided coat CYCLAS short cape-like cloak worn by both men and women GREAT COAT short, loosely fitting, full sleeved outer garment PALETOT short coat PELISSE long sleeved fur-lined cloak CLOAK semi-circular, long, cord tied at neck or with broach DOGLINE venetian aristocratic fashion for men and women EMBROIDERY BARGELLO WORK variety of embroidery/needlework BEADING embellishment/trim on clothing BILIMENTS borders of silk/velvet with gold or jewels attached DISTAFF vertical stick to hold wool from where the thread is drawn DORSAL embroidered/tapestry covering a chair EMBROIDERY embellishment of fabric by stitching HOOPS to hold cloth as you stitch NEEDLED wood, metal, ivory used to sew STOMPWORK embroidered technique using knots TAPESTRY wool that is hand woven on a loom TAWDRY lace work EYEGLASSES 14th c. corrective lens to correct damaged vision FLAXEN pale-yellow or straw-colored FOOTWEAR ESCHAPINS flat shoes, slashed on top GALLIOCHIOS wooden soled shoes with leather straps HOUSEAUX knee to calk thick leather boots LATCHET strap used to fasten a shoe or clog PANNOS de XANNABIUM canvas shoes PANTOFFLE 16th c. overshoe slipped on with no back, became slippers PIGACHES 11th c. shoes with long pointed toes SOLERS leather/Fabric foot wear/slippers GARDEROBE closet, wardrobe for clothes GARNEMENT garment GARTERS band of wool/cotton for knee breeches GIBECIERE fabric/leather pouch attached to girdle, next to dagger GIRDLE ornamental belt for both sexes GLOVE/Gauntlet 12th c. hand covering MITON fingerless glove for heavy work HAINCELIN short houpelande with embroidered sleeves HOSE cotton/wool stockings gartered at the knee HOUSEAUX knee to calf thick leather boots HOUSSE wide shawl trimmed with fur MERCHANTS FRIPPER dealer in frippery, or old clothes MERCER dealer in cloth and fabrics MAUNCHE sleeve of a lady's dress PANNUS garment made with skins PANTALOON combined stocking and breeches PINNER one who made straight wire pins to hold ladies gowns together PUNCH tool used for metal decoration REBRA garments revers ROBE meaning to dress, all components RUFF 15th c. circular collar of a starched crimped/pleated frill SABAL sleeveless gown or cloak POUCHES GYPCIERE French hanging purse/pouch attached to girdle originally for hawking SLEEVES MANCHET showing through slashed half-sleeves of top garment MAUNCHE sleeve of a lady's dress shown in a stylized manner PICADILS scalloped or tabbed edge at the neck and armhole. SLASHINGS small openings cut in garments TIPPET pendant streamer from hood/sleeve also a shoulder cape. SOTTANA 12th c. Italian undergone/tunic UNDERGARMENTS smock/tunic/ chemise UNISEX CLOTHING BLIAUD long over-tunic belted at waist, slit at sides worn by peasants/soldiers BLIANT resembles a surcoat BONGRACE 15th c. flat, square cap with a short flap of velvet on each side CAPA 11th c. short silk hooded cap worn by both men & women. CAPUCHON/Chape universal hooded cloak long or short. CASSOCK worn loose, hip-length coat with a small collar or hood. CYCLAS short cape-like cloak worn by both men and women. GABARDINE long, loose overcoat with hanging sleeves. GARDCORP outdoor garment worn by men and women. GERTRUDE 13th c. long unisex tunic GIRDLE ornamental belt for both sexes HOUPELANDE 14th c. noble’s dagged sleeved garment, later German surcoat KIRTLE tunic MANDILION 15th c. thigh-length overcoat, standup collar, long sleeves WAISTCOAT 14th c. quilted undergarment with breeches attached, or woman's dressing jacket
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ACCESSORIES
 Belt Pouch 
Knives Small slender ones were for eating |